Chronicle of Venice
author
Unknown
Dateabout 1500
Place MadeVenice, Veneto, Italy, Europe
MediumInk on paper
Dimensions30 x 21 cm (11 13/16 x 8 1/4 in.)
ClassificationsBooks
Credit LineIsabella Stewart Gardner Museum, Boston
Accession number2.b.2.3
eMuseum ID726952
EmbARK ObjectID12546
TMS Source ID1630
Last Updated8/14/24
Description1 vol., (164 leaves, 29 lines) : paper ; ill. ; 30 cm.Status
Not on viewWeb CommentaryIsabella Stewart Gardner kept meticulous records of many of her acquisitions. In keeping with this legacy, object information is continually being reviewed, updated, and enriched in order to give greater access to the collection.
BibliographyNotesIsabella Stewart Gardner. A Choice of Manuscripts and Bookbindings from the Library of Isabella Stewart Gardner, Fenway Court (Boston, 1922), pp. 48-49.
Seymour De Ricci and W. J. Wilson. Census of Medieval and Renaissance Manuscripts in the United States and Canada, Vol. I (New York,1935), p. 934, no. 29.
Helena Szépe. "Isabella Stewart Gardner's Venetian manuscripts" in Elizabeth Anne McCauley et al. Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle. Exh. cat. (Boston: Isabella Stewart Gardner Museum; Venice: Biblioteca Nazionale Marciana, 2004), p. 235.
Nathaniel Silver. "'Cum signo t quod potentiam vocant' The Art and Architecture of the Antonite Hospitallers in Trecento Venice." Mitteilungen des Kunsthistorischen Institutes in Florenz LVIII (2016), pp. 39, 52, notes 67, 154.
Seymour De Ricci and W. J. Wilson. Census of Medieval and Renaissance Manuscripts in the United States and Canada, Vol. I (New York,1935), p. 934, no. 29.
Helena Szépe. "Isabella Stewart Gardner's Venetian manuscripts" in Elizabeth Anne McCauley et al. Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle. Exh. cat. (Boston: Isabella Stewart Gardner Museum; Venice: Biblioteca Nazionale Marciana, 2004), p. 235.
Nathaniel Silver. "'Cum signo t quod potentiam vocant' The Art and Architecture of the Antonite Hospitallers in Trecento Venice." Mitteilungen des Kunsthistorischen Institutes in Florenz LVIII (2016), pp. 39, 52, notes 67, 154.
MarksNotesSigned (inside front cover): "C.E. Norton"
ProvenanceNotesCollection of the scholar and critic Charles Eliot Norton (1827–1908), Cambridge, Massachusetts.
Purchased by Isabella Stewart Gardner from Charles Eliot Norton on 3 July 1903 for $2,500. (with 18 other Venetian manuscripts)
Purchased by Isabella Stewart Gardner from Charles Eliot Norton on 3 July 1903 for $2,500. (with 18 other Venetian manuscripts)
Nicolò da Ponte
26 August 1578