Dorothea Jöchl and her daughter Katharina
maker
Unknown
Dateabout 1480-1490
Place MadeGermany, Europe
MediumPot metal glass with white glass with silver stain and sanguine
Dimensions89 x 38 cm (35 1/16 x 14 15/16 in.)
ClassificationsArchitectural Elements
Credit LineIsabella Stewart Gardner Museum, Boston
Accession numberC30s23
eMuseum ID717424
EmbARK ObjectID12851
Original NumberC30s23-s
TMS Source ID1907
Last Updated8/14/24
Status
Not on viewWeb CommentaryIsabella Stewart Gardner kept meticulous records of many of her acquisitions. In keeping with this legacy, object information is continually being reviewed, updated, and enriched in order to give greater access to the collection.
BibliographyNotesJosef Resch. "Monumenta in variis ecclesiis diocesis Brixinensis." Tiroler Landesmuseum Ferdinandeum, Innsbruck, MS FB 14.101, f. 78.
Georg Schmid. Urkunden und Aktenregesten aus dem Dekanatarchive Stilfes (Innsbruck, 1912), p. 27.
Catalogue. Fenway Court. (Boston, 1925), p. 33. (as German, 15th-16th century)
Gilbert Wendel Longstreet and Morris Carter. General Catalogue (Boston, 1935), p. 265 (as German, Nuremberg, about 1490-1500).
Erich Egg. "Ein sterzinger Glasgemälde in Amerika." Der Schlern 35 (1961), pp. 10-11.
“Notes, Records, Comments.” Gardner Museum Calendar of Events 6, no. 36 (5 May 1963), p. 2.
“Notes, Records, Comments.” Gardner Museum Calendar of Events 6, no. 48 (28 Jul. 1963), pp. 1-2.
George L. Stout. Treasures from the Isabella Stewart Gardner Museum (Boston, 1969), pp. 202-03, ill.
Madeline H. Caviness (ed.). Medieval and Renaissance Stained Glass from New England Collections. Exh. cat. (Cambridge: Busch-Reisinger Museum, Harvard University, 1978), p. 99.
Madeline H. Caviness et al. Stained Glass before 1700 in American Collections: New England and New York. Corpus Vitrearum Checklist I. Studies in the History of Art 15. (Washington: National Gallery of Art, 1985), p. 42, ill.
Georg Schmid. Urkunden und Aktenregesten aus dem Dekanatarchive Stilfes (Innsbruck, 1912), p. 27.
Catalogue. Fenway Court. (Boston, 1925), p. 33. (as German, 15th-16th century)
Gilbert Wendel Longstreet and Morris Carter. General Catalogue (Boston, 1935), p. 265 (as German, Nuremberg, about 1490-1500).
Erich Egg. "Ein sterzinger Glasgemälde in Amerika." Der Schlern 35 (1961), pp. 10-11.
“Notes, Records, Comments.” Gardner Museum Calendar of Events 6, no. 36 (5 May 1963), p. 2.
“Notes, Records, Comments.” Gardner Museum Calendar of Events 6, no. 48 (28 Jul. 1963), pp. 1-2.
George L. Stout. Treasures from the Isabella Stewart Gardner Museum (Boston, 1969), pp. 202-03, ill.
Madeline H. Caviness (ed.). Medieval and Renaissance Stained Glass from New England Collections. Exh. cat. (Cambridge: Busch-Reisinger Museum, Harvard University, 1978), p. 99.
Madeline H. Caviness et al. Stained Glass before 1700 in American Collections: New England and New York. Corpus Vitrearum Checklist I. Studies in the History of Art 15. (Washington: National Gallery of Art, 1985), p. 42, ill.
MarksNotesInscriptions: O HALIG S PETRO PIT GOT FÜZ [sic] VNS / IÖCHL 149
ProvenanceNotesStilfes bei Sterzing parish church, Tirol, Austria, one of two stained glass panels.
Purchased by Isabella Stewart Gardner from the dealer A. Pickert, Nuremberg, for either 350 or 450 florins on 11 August 1875 (as "Girl kneeling," German, about 1490).
Purchased by Isabella Stewart Gardner from the dealer A. Pickert, Nuremberg, for either 350 or 450 florins on 11 August 1875 (as "Girl kneeling," German, about 1490).
Object/Provenance
