Catálogo de los Cuadros del Museo del Prado
author
Pedro de Madrazo y Kuntz
(Rome, 1816 - 1898, Madrid)
publisher
J. Lacoste
(born France, 1872, active Spain, 1900-1916)
subject
Museo Nacional del Prado
(established Madrid, 1819 )
Date1910
Place MadeSpain, Europe
MediumPrinted ink on paper
Dimensions20 x 14 x 3.8 cm (7 7/8 x 5 1/2 x 1 1/2 in.)
ClassificationsBooks
Credit LineIsabella Stewart Gardner Museum, Boston
Accession numberm.b.1.22
eMuseum ID717837
Previous Numberm.b.1
EmbARK ObjectID20534
TMS Source ID7156
Last Updated8/9/24
Descriptionxxxv, [1] p., 2 ℓ., 453, [1] p., 1 ℓ. incl. plans. plates. 20 cm.Status
Not on viewWeb CommentaryIsabella Stewart Gardner kept meticulous records of many of her acquisitions. In keeping with this legacy, object information is continually being reviewed, updated, and enriched in order to give greater access to the collection.
MarksNotesPrinted in black ink (front flyleaf, top): ISABELLA STEWART GARDNER / MUSEUM
Inscribed in pencil (front flyleaf, top): (Hendy)
Printed in black ink (title page, top): Isabella Stewart Gardner Museum
Inscribed in pencil (title page): Madrid
Inscribed in black ink (page 56, top): bright + hard
Inscribed in black ink (page 57, center): v. empty. No brushwork.
Inscribed in black ink (page 57, bottom): No design. Execution abominable.
Inscribed in black ink (page 58, top): Perhaps design, but not painting.
Inscribed in black ink (page 58, center): Far more muddy than 303
Inscribed in black ink (page 59, top): v. [illegible]esque refinement of technique + paint color.
Inscribed in black ink (page 59, center): muted colors. Efficient technique.
Inscribed in black ink (page 79, center): Very little damage exc. in spots
Inscribed in black ink (page 79, center): Paler + flatter than the Bacchus + Ariadne, evid. [illegible]
Inscribed in black ink (page 80, top): v. inferior to 420
Inscribed in black ink (page 80, center): That much untouched
Inscribed in black ink (page 80, bottom): V. loose + careless. The [illegible] more substantial than rest. / A unison draperies.
Inscribed in black ink (page 80, bottom): smooth, monotonous flesh. Hard outlines. Little color.
Inscribed in black ink (page 81, top): Flesh much repainted.
Inscribed in black ink (page 81, bottom): Much damaged. Spain's head gone. / Left + top better. V. loosely done. Helmet / M. in fore: more careful w. real.
Inscribed in black ink (page 82, bottom): More interesting than N.G. sketch.
Inscribed in black ink (page 85, top): Wreck.
Inscribed in black ink (page 85, center): Smooth paint, unbroken colors.
Inscribed in black ink (page 85, bottom): Lotto
Inscribed in pencil (front flyleaf, top): (Hendy)
Printed in black ink (title page, top): Isabella Stewart Gardner Museum
Inscribed in pencil (title page): Madrid
Inscribed in black ink (page 56, top): bright + hard
Inscribed in black ink (page 57, center): v. empty. No brushwork.
Inscribed in black ink (page 57, bottom): No design. Execution abominable.
Inscribed in black ink (page 58, top): Perhaps design, but not painting.
Inscribed in black ink (page 58, center): Far more muddy than 303
Inscribed in black ink (page 59, top): v. [illegible]esque refinement of technique + paint color.
Inscribed in black ink (page 59, center): muted colors. Efficient technique.
Inscribed in black ink (page 79, center): Very little damage exc. in spots
Inscribed in black ink (page 79, center): Paler + flatter than the Bacchus + Ariadne, evid. [illegible]
Inscribed in black ink (page 80, top): v. inferior to 420
Inscribed in black ink (page 80, center): That much untouched
Inscribed in black ink (page 80, bottom): V. loose + careless. The [illegible] more substantial than rest. / A unison draperies.
Inscribed in black ink (page 80, bottom): smooth, monotonous flesh. Hard outlines. Little color.
Inscribed in black ink (page 81, top): Flesh much repainted.
Inscribed in black ink (page 81, bottom): Much damaged. Spain's head gone. / Left + top better. V. loosely done. Helmet / M. in fore: more careful w. real.
Inscribed in black ink (page 82, bottom): More interesting than N.G. sketch.
Inscribed in black ink (page 85, top): Wreck.
Inscribed in black ink (page 85, center): Smooth paint, unbroken colors.
Inscribed in black ink (page 85, bottom): Lotto
ProvenanceNotesEntered Isabella Stewart Gardner's collection after 1910.
Martín de Gurrea y Aragón, duque de, conde de Ribagorza Villahermosa
1902
Charles Fletcher Lummis
16 March 1905