Second Venice Set: San Biagio
artist
James McNeill Whistler
(American, 1834 - 1903)
Date1880
Place MadeItaly, Europe
MediumEtching and drypoint printed on laid paper
Dimensions20.9 x 30.1 cm (8 1/4 x 11 7/8 in.)
ClassificationsPrints
Credit LineIsabella Stewart Gardner Museum, Boston
Accession numberS.G.Sar.1.1.2.3
eMuseum ID725295
EmbARK ObjectID23919
TMS Source ID8702
Last Updated8/9/24
Status
Not on viewWeb CommentaryIsabella Stewart Gardner kept meticulous records of many of her acquisitions. In keeping with this legacy, object information is continually being reviewed, updated, and enriched in order to give greater access to the collection.
BibliographyNotesThe Fine Art Society. Mr. Whistler's Etchings (London, 1883), no. 4.
Frederick Wedmore. Whistler's Etchings: a Study and a Catalogue (London, 1886), p. 72, no. 163.
James McNeill Whistler. The Gentle Art of Making Enemies (London, 1890), p. 94.
Howard Mansfield. A Descriptive Catalogue of the Etchings and Dry-Points of James Abbott McNeill Whistler (Chicago, 1909), pp. 131-32, no. 194.
Edward G. Kennedy. The Etched Work of Whistler (New York, 1910), pp. 81-82, no. 197.
P. & D. Colnaghi & Co. An Exhibition of Etchings, Dry Points & Lithographs by James McNeill Whistler (London, 16 November - 10 December 1971). p. 25, no. 83.
Katharine A. Lochnan. The Etchings of James McNeill Whistler. Exh. cat. (New York: The Metropolitan Museum of Art, 1984; Toronto: The Art Gallery of Ontario, 1985), pp. 194, 281, no. 193.
Alastair Grieve. Whistler's Venice (New Haven, 2000), pp. 136, 138, 192, fig. 172.
Margaret F. MacDonald. Palaces in the Night: Whistler in Venice (Berkeley, 2001), pp. 70-71, 88, 116, 120, 122, 124, pl. 81.
Elizabeth Anne McCauley. "A Sentimental Traveler: Isabella Stewart Gardner in Venice" in Elizabeth Anne McCauley et al. Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle. Exh. cat. (Boston: Isabella Stewart Gardner Museum; Venice: Biblioteca Nazionale Marciana, 2004), pp. 14-15, 46, fig. 14.
Catherine E. Hutchina (ed.). Fleeting Impressions: Prints by James McNeill Whistler. Exh. cat. (Montgomery: Montgomery Museum of Fine Arts, 2006), pp. 64-65, no. 16.
Margaret F. MacDonald et al. "San Biagio." James McNeill Whistler: The Etchings, a catalogue raisonné (University of Glasgow, 2012), no. 237, accessed 23 May 2016. http://etchings.arts.gla.ac.uk/catalogue/
Frederick Wedmore. Whistler's Etchings: a Study and a Catalogue (London, 1886), p. 72, no. 163.
James McNeill Whistler. The Gentle Art of Making Enemies (London, 1890), p. 94.
Howard Mansfield. A Descriptive Catalogue of the Etchings and Dry-Points of James Abbott McNeill Whistler (Chicago, 1909), pp. 131-32, no. 194.
Edward G. Kennedy. The Etched Work of Whistler (New York, 1910), pp. 81-82, no. 197.
P. & D. Colnaghi & Co. An Exhibition of Etchings, Dry Points & Lithographs by James McNeill Whistler (London, 16 November - 10 December 1971). p. 25, no. 83.
Katharine A. Lochnan. The Etchings of James McNeill Whistler. Exh. cat. (New York: The Metropolitan Museum of Art, 1984; Toronto: The Art Gallery of Ontario, 1985), pp. 194, 281, no. 193.
Alastair Grieve. Whistler's Venice (New Haven, 2000), pp. 136, 138, 192, fig. 172.
Margaret F. MacDonald. Palaces in the Night: Whistler in Venice (Berkeley, 2001), pp. 70-71, 88, 116, 120, 122, 124, pl. 81.
Elizabeth Anne McCauley. "A Sentimental Traveler: Isabella Stewart Gardner in Venice" in Elizabeth Anne McCauley et al. Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle. Exh. cat. (Boston: Isabella Stewart Gardner Museum; Venice: Biblioteca Nazionale Marciana, 2004), pp. 14-15, 46, fig. 14.
Catherine E. Hutchina (ed.). Fleeting Impressions: Prints by James McNeill Whistler. Exh. cat. (Montgomery: Montgomery Museum of Fine Arts, 2006), pp. 64-65, no. 16.
Margaret F. MacDonald et al. "San Biagio." James McNeill Whistler: The Etchings, a catalogue raisonné (University of Glasgow, 2012), no. 237, accessed 23 May 2016. http://etchings.arts.gla.ac.uk/catalogue/
MarksNotesSigned in etching: Whistler's butterfly signature
Signed in pencil (on tab, recto): Whistler's butterfly signature [dated 1886]
Inscribed in pencil (on tab, recto): "imp." [hand of Whistler]
Inscribed in graphite (on tab, verso): "AWT" [collector's mark, Alphonse Wyatt Thibaudeau]
Signed in pencil (on tab, recto): Whistler's butterfly signature [dated 1886]
Inscribed in pencil (on tab, recto): "imp." [hand of Whistler]
Inscribed in graphite (on tab, verso): "AWT" [collector's mark, Alphonse Wyatt Thibaudeau]
ProvenanceNotesPurchased by Messrs Dowdeswell and Alphonse Wyatt Thibaudeau (1840-1892), print dealer and collector, from the artist by 26 February 1887 for £0.4.4.
Purchased by the art dealers H. Wunderlich & Co., New York from Alphonse Wyatt Thibaudeau for £52.10.0 in May 1888 through the print dealer Gustave Lauser (b. 1841), stock no. 14359. (as part of an album of "The Second Venice Set")
Purchased by Isabella Stewart Gardner from H. Wunderlich & Co., New York on 11 April 1890 for $750. (as part of "Whistler's two sets of Venice etchings")
Purchased by the art dealers H. Wunderlich & Co., New York from Alphonse Wyatt Thibaudeau for £52.10.0 in May 1888 through the print dealer Gustave Lauser (b. 1841), stock no. 14359. (as part of an album of "The Second Venice Set")
Purchased by Isabella Stewart Gardner from H. Wunderlich & Co., New York on 11 April 1890 for $750. (as part of "Whistler's two sets of Venice etchings")
