Laura Adams Armer
Sacramento, 1874 - 1963
The couple married that July and in 1903 moved to Berkeley for the birth of their son, Austin. The pace of her exhibitions accelerated with a display at the Oakland Art Fund of her bookplate designs and prints, which Anne Brigman called “exquisite,” and contributions to the American Photographic Salons in New York City and Washington, D.C.[4][5] She returned from a trip to Tahiti in October 1905 and shortly thereafter her infant daughter died. She emerged from a short retirement in late 1906 and became an active exhibiting member of the Berkeley art colony. She also exhibited on the Monterey Peninsula and vacationed in Carmel with Anne Brigman. Laura won a silver medal at Seattle’s Alaska-Yukon-Pacific Exposition in 1909 and began to experiment with color photography in her popular Berkeley studio.[3]
The turning point in her career came in 1919-20 when she began to document systematically the Hopi and Navajo of the Southwest, which resulted in numerous publications on their societies, art (especially sand paintings), and folklore, as well as hundreds of photographs and the film The Mountain Chant (1928). Wikipedia, accessed 11/9/2018 SM
https://en.wikipedia.org/wiki/Laura_Adams_Armer
Person TypeIndividual
Last Updated8/7/24
Florence, 1856 - 1925, London
Barmen, Germany, 1879 - 1963, Berkeley, California
Oakland, California, 1874 - 1965, Englewood, New Jersey
Albany, New York, 1836 - 1902, Camberley, England
London, 1843 - 1932, Godalming, England
Stockbridge, Massachusetts, 1862 - 1929, Clifton Springs, New York